NaNoWriMo

It's that time of year again, boys and girls. Time to ingratiate myself with my usually stubborn muse, feed him chocolate (leftover Halloween candy, anyone?), and beg him to feed me 1,667 words every day for the entire month of November.

Otherwise known as National Novel Writing Month (http://www.nanowrimo.org/).

I've participated in this collective insanity—churning out 50,000 words of fiction in a single month—since 2004. Each year I've made the deadline with all 50,000 words. Then, I've gone on to finish that year's novel (usually adding another 25,000 words or so) by the following October in order to enter it into the Christian Writers Guild's current Operation First Novel/Book contest.

In fact, I just finished my 2006 NaNo novel late last month and entered it into this year's Operation First Novel contest. The first round of semifinalists probably won't be announced until December. I'm not holding my breath, but I've placed as a semifinalist or better twice before. In fact, my first NaNo novel from 2004 went on to be a Top 4 runner-up in last year's contest.

While hyping myself up for that first NaNo challenge in October 2004, I trolled around the NaNo forums and read about AlphaSmarts. I was so intrigued, and so plagued by my internal editor (who had hog-tied and gagged my muse on numerous occasions), that I immediately hit eBay and scarfed up a used AlphaSmart 2000 for about $50. It was the best fifty bucks I ever spent. Between the AS2000 and NaNo's insane deadline, I not only untied and ungagged my muse, but I bitch-slapped that internal editor upside his head and spit in his eye just for fun.

Otherwise known as an epiphany (although saying it the first way was more fun).

And now I am standing on the precipice for the fourth time. On the floor to my left is a huge white board filled with multicolored scribbly notes on this year's novel (you can take notes but can't write any prose until 12:01 a.m. on November 1). I took it off the wall and put it here next to my desk so I can copy it into OneNote and work with it.

For the next three hours, before I can start the actual writing, I'll be concocting characters and plot lines, perhaps even running that first sentence in my head a little bit.

And since no project gets anywhere without a working title (at least not in my world), I've come up with one I can live with for now: Mrs. Needlemeier's Novel Idea.

Yes, it's supposed to sound quirky.

Yes, it's important that she's a Mrs.

Yes, she's writing a novel. That's all I'm going to say about that.

And now, as the countdown clock strikes T-minus three hours, I'm off to do that plotting and planning I've been avoiding all month. This is one project on which I cannot procrastinate.

Which is why I hate . . . errr, love NaNoWriMo so much.

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Madame Bovary Update: I finished Madame Bovary over the weekend. I found absolutely no character to sympathize with, which made the novel vexing to read all the way through. I felt no remorse at Emma's downfall, and once everyone else around her scattered to the four winds or died, well, I'd about had it with these people.

Now I'm reading Stephenie Meyer's Twilight—a much better choice for Halloween, and certainly a lot more fun. I'm about 100 pages in, so I'll report back on this one once I'm done and moving on to the second book in the series, New Moon.

Weekly Book Watch: Madame Bovary

This week I'm reading Madame Bovary, by Gustave Flaubert. (Obviously I'm reading a translation. The only French I know includes such essential terms as crepe suzette, Jacques Cousteau and French fries.)

I'm not quite at the halfway point. Emma Bovary hasn't started any of her shenanigans just yet. She's just had a baby, though (not due to shenanigans, but rather, with her husband, the longsuffering and rather clueless Charles). For those of you who know me, I'm sure you can guess that I expect to find it difficult to sympathize with any of Emma's struggles. Well, not with her struggles, exactly (the boredom and frustration of a bad marriage and a husband who doesn't know you from Adam) ... with the solutions to her struggles that I already know are coming. For the past decade or more, I've had a lot of trouble relating to main characters who decide that infidelity is a solution to marital issues. Can't fault me for that, I suppose, but I find I sometimes dig in my heels about such characters being portrayed sympathetically. Any book or movie that is trying to coax us into thinking, "Well, the poor thing had no choice -- look how unhappy he/she was!" or "Can you blame him? Look at what a bitch his wife was!" really irks me.

I suppose I just don't go in for situational ethics in any form, not even in my literature and cinema.

Don't get me wrong: I've written characters with plenty of sins, some of which are meant to be sympathetic. But, I think I draw the line when a book or movie portrays evil as good and good as evil. So, I can identify with a character who is sinning like crazy ... as long as there is a struggle with those sins. Heck, as long as the character is still calling them sins.

But once the character gives up and starts to justify his or her sinful actions as inevitable or as mere "mistakes," then I'm outta there, especially when those sinful actions involve betrayal, lying and adultery.

With Emma Bovary, I have yet to see what her own feelings about her upcoming actions will be. And that will largely determine my overall reaction to this classic.

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Update on The Memory Keeper's Daughter: I felt this book had a lot of potential, and individual scenes often lived up to that potential. But the way Edwards handled the broad scope of the novel (hopping years ahead every few chapters, skipping huge chunks of time as if we wouldn't notice or be curious about them) didn't work well for me. And, without giving away the ending, let's just say I was disappointed in it. It felt contrived and a little too ... tidy. The tone of most of the novel was melancholy and sad; the change in tone at the end jarred me into thinking this wasn't even the same story.

All in all: Good plot idea, lovely storytelling in general, but the execution felt choppy and insincere in spots. Sometimes -- at crucial moments -- people did things I didn't expect or see coming. And not because Edwards is good at plot twists, but because they suddenly did things I hadn't seen in their personalities before that point. Too many times I thought, "Hey, he [or she] would never do something like that!"

I'll give it three stars out of five: * * *

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Weekly Book Watch: The Memory Keeper's Daughter

I'm currently reading The Memory Keeper's Daughter, by Kim Edwards. I'm going through a rash of "current" books, mostly feeling my way around by what sounds interesting or looks slightly out of the ordinary. (Suddenly I see why those one-minute book blurbs we learn how to write are so important.) After having just finished reading Water for Elephants (which I loved) and The Dante Club (which I also loved), this book is so much slower in pace and tone that I'm having trouble adjusting and allowing it to be what it is without comparing it to those other two bestsellers.

It is, though, a book that breaks so many of the current "rules" of writing fiction: There isn't all that much dialogue, and it all seems so very polished and smooth. There is a ton of slow, deliberate description (compared to so many sparsely written novels nowadays). The book starts semi-fast (having read Noah Lukeman's The First Five Pages, I can't say it starts as fast as he recommends, which I feel tries to put everyone in a "thriller" box anyway), but then slows down its pace and seems to stay there.

I'm enjoying where the book seems to be taking the reader, although I find it jolting to find she jumps ahead years at a time from one chapter to another. This makes me constantly reassess where we will end up at the end of her story. And for now, that kind of plot-driven curiosity has been enough to keep me engaged in the story.

Next will probably be Stephenie Meyers's Twilight (first in her triology of YA vampire books—I have the other two waiting in the wings). I have most of Anne Rice's vampire books, and I read Bram Stoker's original decades ago (and reread it in recent years), so I think reading this popular vampire series right around Halloween ought to be fun. My daughter is already finished with the first two books (no small feat considering how fast she read them!), and we're awaiting the Amazon delivery on the third volume tomorrow! (She and I are trying to keep busy with our reading while we both await the publication of Libba Bray's third volume in her own YA trilogy in December.)

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